Saturday, 26 April 2008

Elvis Costello!!!!!!!!

His new album, Momofuko, is released on CD on May 5th. I am very excited. And his website has been redesigned:

"A complete lyrical database will be available shortly, along with facsimiles of original notebooks with rough drafts and deleted verses going back to 1977, unseen photographs [and] unheard recordings"

I only just stopped myself from drooling on the keyboard. Soon I will be in Costello-heaven, far away from the madness of Zimbabwe, Gordon Brown, the 10p tax rate and the imminent destruction of planet Earth. Though I hope to blog about all in due course.

Cory
Posted by The golden strawberry at 00:28:19 | Permanent Link | Comments (1) |

Friday, 11 April 2008

Political Correctness and Jerusalem

I sometimes despair at the politically engaged in Britain. This is why I cannot watch Question Time without eating the settee. Take, for instance, the reaction of commenters to this story on the Times website:

"William Blake’s Jerusalem will no longer ring from the spires of Southwark Cathedral after it was banned by the church’s dean on the grounds that it was unchristian and too nationalistic.

Regarded by many as a paean to Englishness, it has over the centuries become an unofficial national anthem, sung at the last night of the Proms and by England rugby and cricket fans...

But the Very Reverend Colin Slee believes it is not “to the glory of God” and as such should not be sung by choirs or congregations at the South Bank cathedral, on of Britain’s foremost churches.


The ban came to light after the dean advised guests at a recent memorial service that it could not be sung due to its lack of religious content."

For those unacquainted with the poem or unaware of its full lyrics, they are here. It is fairly obvious that the Very Reverend Colin Slee is a prize muppet. He is also obviously unaware what a metaphor is.

Not that this is the first time that there has been a problem with singing Jerusalem in churches. From 2001, another vicar said:

"I enjoy it as a mystical poem, but it is not a prayer and it is not about God. Nor is it addressed to God, and nor does it contain any of the themes you would expect of God." He said people tended to interpret the poem in the nationalistic sense that England is best.


"We all want to be patriotic, but in a proper way, and this poem is just not appropriate. What it is actually saying is, `Wouldn't it be nice if Jesus had lived in England?' Yet we all know that he did not, so it is just nonsense. I can understand it being used at an army parade or something like that, but it is not suitable for a wedding."

If this vicar knew anything about history at all, he would be aware that the legend of Jesus visiting Glastonbury abbey dates from at least the time of William of Malmesbury in the twelfth century. Blake used this legend, added in a plea to return to nature, and ended up with a rather rousing lyric. And does this priest not believe that God created "England's green and pleasant land"? Sigh. Another Christian who does not understand what a metaphor is...

Anyway, I don't want to descend into a rant about ignorant clerics, tempting though it may be. Let's look instead at the response of some of the commenters on the Times article. These are people who, presumably, think they are well-informed and politically engaged. They are reading the Times website for a start, which suggests they are better informed than most. And they care enough to post a comment, an indication they think, care and have passionate viewpoints. Bearing this in mind, let's have a look at the comments.

One commenter asks:

Colin Slee are you sure you are a Christian and not a Muslim in disguise? (sic)

A remark that is stupid if meant seriously, and not funny if it is intended to be humourous.

Another brings up that old chestnut, political correctness:

So the PC Zealots have found something else with which to dowse the fire of English customs and Christianity!

In a discussion on British Politics, political correctness can never be too far away. The thought that a politically-correct liberal elite has been going round trampling on Britain's sacred traditions, banning hymns and blackboards, has been a staple theory of lazy right-wing thought for at least two decades. Whenever I talk to an aunt of mine about politics, it usually doesn't take five minutes before she brings up the issue of "political correctness".

Political correctness apparently developed in the mid-1980s, with various "banning-blackboard" type-stories invented by the Daily Express. And the myth took off. As Mark Steel wrote in Reasons to be Cheerful:

Much of the press got addicted from the fix of these stories, and like any addict, when the supply ran dry, they got desparate and made stuff up. The most famous loony left stories of the time - the council workers who couldn't say 'black bin liners' and the kids who had to sing 'Baa Baa Green Sheep' - were entirely fictitious. In any case, how was it that Thatcher had battered the unions, the miners and the Argentinian navy, but was powerless before the unstoppable might of the Haringey council gay and lesbian helpline unit?

Colin Smee is neither a Muslim nor a member of a politically correct elite. He is merely a fool. The notion of an "elite" is absurd anyway - in the same article the Church of England spokesman defended Jerusalem, saying the hymn "has its rightful place in Church of England worship". This is just the work of an isolated individual, not the work of an over-arching elite who wish to replace everything "sacred" about Britain's national heritage (whatever that is). 

The idea of a "politically-correct elite" is just one of a number of topics that continues to blight political discourse (especially discourse found in pubs, which as everyone knows is the only proper place to talk about politics). You just know, sooner or later, that someone will bring up "Iraq", and the chance to talk about things that might actually improve the lives of ordinary people has been postponed, for at least another couple of hours.

Cory

Posted by The golden strawberry at 16:37:03 | Permanent Link | Comments (0) |

Monday, 15 October 2007

Country bumkins

I'm guessing not many of you got the Observer today with it's guide to popular music. My favourite bit concerns "The 10 greatest country song titles of all time".

Loretta Lynn's "You're the reason our kids are ugly" and "She broke my heart, so I broke her jaw" by Rick Stanley deserve honourable mentions. However, the best title has to be the immortal "I don't know whether to kill myself or go bowling" by Thom Sharpe. Complete with the priceless couplet:

"These are my options/ It's that or watch TV".

Sadly I don't have much country music in my collection, so can't better these titles. Anyone got any better ideas?

Cory
Posted by The golden strawberry at 15:05:38 | Permanent Link | Comments (0) |

Thursday, 07 June 2007

"Congratulations" to a travelling funfair in Essex

Maybe music doesn't incite violence, but it can make "hoodies" disperse:

Last Saturday the travelling funfair was in Hayes, Essex, when Mr Carter became concerned about the intimidating behaviour of a gang of about 20 teenagers dressed in hoodies.

"They weren't causing trouble as such, but they were worrying families and putting them off going on the rides," he said.

The local police said they could do nothing to help unless a crime had been committed.

But then Mr Carter remembered that whenever Cliff Richard records were played on the dodgems, teenagers instantly left the rides. So he put on The Young Ones across the fair's sound system.

"The gang had completely left the fair before the track was half over," he said.

This is not exactly new - Barry Manilow was played in Australian car parks to keep away young troublemakers. Apparently "Release Me" By Engelbert Humperdinck is the best track to play in order to scatter the rascals, according to the Local Government Association. It's hard not to disagree.

Cory

Posted by The golden strawberry at 13:06:21 | Permanent Link | Comments (1) |

Tuesday, 05 June 2007

Act My Age

Nick Lowe's new album, At My Age, came through the post today.

I haven't stopped listening to it. It's fantastic. Buy it now.

This is probably conclusive proof that I was born at 40.

Cory

Posted by The golden strawberry at 19:47:04 | Permanent Link | Comments (0) |

Wednesday, 15 November 2006

Worth the Waits?

Oh dear.

Marcus on Harry's Place talking about Tom Waits:

It's a shame the creeping cacophony of his 1983 album Swordfishtrombones wasn't just a mad interlude before Waits returned to the melancholic lyricism of 'Heartattack and Vine' or 'Closing Time' instead of a template for much of what he's been foisting on us since then.

"Creeping cacophony"? Tish and pish. It's a marvellous album!

Which reminds me - I really need to buy more Tom Waits. So much music, so little time...

Cory

Posted by The golden strawberry at 00:02:07 | Permanent Link | Comments (0) |

Thursday, 09 November 2006

Is there a limit to the number of comedy hats Elvis Costello owns?

Apparenty not. But doesn't the master look inspiring? That's him in the middle:

Cory

Posted by The golden strawberry at 01:25:01 | Permanent Link | Comments (0) |

Friday, 27 October 2006

Reasons to exist, part 3:

Elvis Costello is releasing new DVDs!

See here.

I remember seeing the live "A Case For Song" on VHS when my mum bought it Dad for his birthday. I was about nine or ten. An important bit of my musical education. I'm really pleased it's now on DVD, as I think the video's worn out now!

Also talk of a concert DVD for this year being released in the UK. Fingers crossed!

Cory

Posted by The golden strawberry at 01:30:43 | Permanent Link | Comments (0) |

Friday, 22 September 2006

This makes me shudder...

MTV is launching a programme, Totally Boyband, whose aim is to construct the world's best boyband. Such an idea must be stopped at all costs. Write to your MP, do anything to stop this monstrosity! You have been warned...

Cory

Posted by The golden strawberry at 16:01:47 | Permanent Link | Comments (0) |

Thursday, 03 August 2006

Elvis Costello re-releases album shock

I'm quite pleased about this:

U.S. catalog and special markets entity for Universal Music Group, the world's largest music company and market share leader, has reached an agreement to acquire the first 11 original albums (1977-1986) in the catalog of Elvis Costello, one of the most influential, acclaimed and enduring artists of modern rock. With this acquisition added to his musical output of the last 15 years (Decca/Deutsche Grammophon, Lost Highway, Mercury, Island, Verve Forecast), UMe now brings the bulk of Elvis Costello's career under one roof.

There seems to some concerns among fans of "The Man" that this is "selling out". Meh, possibly. But the guy probably wants more dough. None of his albums sell anything any more. What's more, we get another chance to implant Elvis Costello into the youngsters of the new generation. And as Costello himself said:

A Peckinese in a tuxedo could sell My Aim Is True.

I'm most intrigued about the plans to reissue live tracks and unreleased tracks. But this does probably mean that I will have to buy all Elvis's albums again, only a year after I bought them all in six weeks over the sumer. All 27 of them! 

As for those who haven't had the pleasure of listening to Elvis Costello, here's your chance. I envy you, all that new Elvis to listen to. I must go now, I'm drooling over my keyboard...

-posted by Roy

Posted by The golden strawberry at 19:24:27 | Permanent Link | Comments (0) |
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